The Rolling Stones - Sticky Fingers


The Rolling Stones - Sticky Fingers

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The Rolling Stones - Sticky Fingers
RSSF71.jpg
Studio album by The Rolling Stones
Released 23 April 1971
Recorded 2–4 December 1969, Muscle Shoals Sound Studios, Sheffield, Alabama; 17 February, March – May, 17–31 October 1970, Olympic Studios, Trident Studios, London, UK; except "Sister Morphine", 22–31 March 1969
Genre Hard rock
Length 46:25
Label Rolling Stones
Producer Jimmy Miller
The Rolling Stones chronology
Let It Bleed
(1969)
Sticky Fingers
(1971)
Exile On Main Street
(1972)
 
Spanish issue ( not for sale)
 
Spanish issue
 
 
Singles from Sticky Fingers
  1. "Brown Sugar" / "Bitch"
    Released: 16 April 1971
  2. "Wild Horses" / "Sway"
    Released: 12 June 1971

 

  "Sticky Fingers" is the ninth British and 11th American studio album by the English rock band The Rolling Stones, released in April 1971. It is the band's first album of the 1970s and its first release on the band's newly formed label, Rolling Stones Records, after having been contracted since 1963 with Decca Records in the UK and London Records in the US. It is also Mick Taylor's first full-length appearance on a Rolling Stones album, the first Rolling Stones album not to feature any contributions from guitarist and founder Brian Jones and the first one on which singer Mick Jagger is credited with playing guitar.

"Sticky Fingers" is widely regarded as one of the Rolling Stones' best albums. It achieved triple platinum certification in the US and contains songs such as the chart-topping "Brown Sugar", the country ballad "Dead Flowers", "Wild Horses", "Can't You Hear Me Knocking?", and "Moonlight Mile".

 

History

With the end of their Decca/London association at hand, The Rolling Stones were finally free to release their albums (cover art and all) as they pleased. However, their departing manager Allen Klein dealt the group a major blow when they discovered that they had inadvertently signed over their entire 1960s copyrights to Klein and his company ABKCO, which is how all of their material from 1963's "Come On" to "Get Yer Ya-Ya's Out The Rolling Stones In Concert" has since been released solely by ABKCO Records. The band would remain incensed with Klein for decades for that act.

 

Recording

Although sessions for Sticky Fingers began in earnest in March 1970, The Rolling Stones had been recording at Muscle Shoals Sound Studios, Alabama in December 1969. "Sister Morphine", cut during Let It Bleed's sessions earlier in March of that year, had been held over from this release. Much of the recording for Sticky Fingers was made with The Rolling Stones' mobile studio unit in Stargroves during the summer and autumn of 1970. Early versions of songs that would eventually appear on "Exile On Main St." were also rehearsed during these sessions.

 

Artwork

Standard version

 
The Rolling Stones posing in an ad with covers of Sticky Fingers, with the original artwork, in 1971, from left to right: Charlie Watts, Mick Taylor, Bill Wyman, Keith Richards, and Mick Jagger

 

The album's artwork emphasises the suggestive innuendo of the Sticky Fingers title, showing a close-up of a jeans-clad male; the cover of the original (vinyl LP) release featured a working zipper and perforations around the belt buckle that opened to reveal a sub-cover image of cotton briefs. The vinyl release displayed the band's name and album title along the image of the belt; behind the zipper the white briefs were seemingly rubber stamped in gold with the stylized name of American pop atrist Andy Warhol, below which read "THIS PHOTOGRAPH MAY NOT BE—ETC." While the artwork was conceived by Warhol, photography was by Billy Name and design was by Craig Braun. Braun and his team had other ideas, such as wrapping the album in rolling paper - a concept later used by Cheech and Chong in "Big Bambu" - but Jagger was enthused by Warhol's cover with a zipper. Execution was then handled as Warhol sent Braun Polaroid pictures of a model in tight jeans.

The cover photo of a male model's crotch clad in tight blue jeans was assumed by many fans to be an image of Mick Jagger, but the people actually involved at the time of the photo shoot claim that Warhol had several different men photographed (Jagger was not among them) and never revealed which shots he used. Among the candidates, Jed Johnson, Warhol's lover at the time, denied it was his likeness, although his twin brother Jay is a possibility. Those closest to the shoot, and subsequent design, name Factory artist and designer Corey Tippin as the likeliest candidate. Warhol "superstar" Joe Dallesandro claims to have been the model.

After retailers complained that the zipper was causing damage to the vinyl (from stacked shipments of the record), the zipper was "unzipped" slightly to the middle of the record, where damage would be minimised.

 

 
The Rolling Stones' logo, designed by John Pasche and modified by Craig Braun, was introduced in 1971.

 

For the initial vinyl release the album title and band name is smaller and at the top on the American release. The UK release the title and band name are in bigger letters and on the left.

The album features the first usage of the "tongue & lips" logo of Rolling Stones Records, originally designed by John Pasche in 1970. Jagger suggested to Pasche that he copy the outstuck tongue of the Hindu goddess Kali, and while Pasche first felt it would date the image back to the Indian culture craze of the 1960s, seeing Kali made him change his mind. Before the end of that year his basic version was faxed to Craig Braun by Marshall Chess. The black & white copy was then modified by Braun and his team, resulting in today's most popular red version, the slim one with the two white stripes on the tongue. Critic Sean Egan has said of the logo, "Without using the Stones' name, it instantly conjures them, or at least Jagger, as well as a certain lasciviousness that is the Stones' own ... It quickly and deservedly became the most famous logo in the history of popular music." The tongue and lips design was part of a package that, in 2003, VH1 named the "No. 1 Greatest Album Cover" of all time.

 

 

Alternative version and covers

In Spain, the original cover was censored by the Franco regime and replaced with a "Can of fingers" cover, designed by John Pasche and Phil Jude, and "Sister Morphine" was replaced by a live version of Chuck Berry's "Let It Rock". This version was released on the compilation album "Rarities 1971-2003" in 2005.

In 1992, the LP release of the album in Russia featured a similar treatment as the original cover; but with Cyrillic lettering for the band name and album name, a colourised photograph of blue jeans with a zipper, and a Soviet Army uniform belt buckle that shows a hammer and scikle inscribed in a star. The model appears to be female.

 

Release and reception

Professional ratings
Retrospective reviews
Review scores
Source Rating
AllMusic 5/5 stars
Christgau's Record Guide A
Encyclopedia of Popular Music 4/5 stars
MusicHound Rock 4.5/5
NME 9/10
Pitchfork 10/10
Q 5/5 stars
Record Collector 5/5 stars
The Rolling Stone Album Guide 5/5 stars
Uncut 5/5 stars

"Sticky Fingers" hit the number one spot on the British charts in May 1971, remaining there for four weeks before returning at number one for a further week in mid June. In the US, the album hit number one within days of release, and stayed there for four weeks. In Germany it was one of only two non-German albums to reach number one in 1971.

In a contemporary review for the Los Angeles Times, music critic Robert Hilburn said that although "Sticky Fingers" is one of the best rock albums of the year, it is only "modest" by the Rolling Stones' standards and succeeds on the strength of songs such as "Bitch" and "Dead Flowers", which recall the band's previously uninhibited, furious style. Jon Landau, writing in Rolling Stone, felt that it lacks the spirit and spontaneity of the Rolling Stones' previous two albums and, apart from "Moonlight Mile", is full of "forced attempts at style and control" in which the band sounds disinterested, particularly on formally correct songs such as "Brown Sugar". In a positive review, Lynn Van Matre of the Chicago Tribume viewed the album as the band "at their raunchy best" and wrote that, although it is "hardly innovative", it is consistent enough to be one of the year's best albums.

"Sticky Fingers" was voted the second best album of the year in The Village Voice's annual Pazz and Jopp critics poll for 1971. Lester Bangs voted it number one in the poll and said that it was his most played album of the year. Robert Christgau, the poll's creator, ranked the album 17th on his own year-end list. In a 1975 article for The Village Voice, Christgau suggested that the release was "triffling with decadence", but might be the Rolling Stones' best album, approached only by "Elile On Main St." (1972). In his 1980 review of the album, he wrote that it reflected how unapologetic the band was after the Altamont free concert and that, despite the concession to sincerity with "Wild Horses", songs such as "Can't You Hear Me Knocking" and "I Got the Blues" are as "soulful" as "Good Times", and their cover of "You Gotta Move" is on-par with their previous covers of "Prodigal Son" and "Love In Vain".

In 1994, "Sticky Fingers" was ranked number ten in Colin Larkin's All Time Top 1000 Albums. He stated, "Dirty rock like this has still to be bettered, and there is still no rival in sight." In a retrospective review, Q magazine said that the album was "the Stones at their assured, showboating peak ... A magic formula of heavy soul, junkie blues and macho rock". NME wrote that it "captures the Stones bluesy swagger" in a "dark-land where few dare to tread". Record Collector magazine said that it showcases Jagger and Richards as they "delve even further back to the primitive blues that first inspired them and step up their investigations into another great American form, country." In his review for Goldmine magazine, Dave Thompson wrote that the album still is superior to "most of The Rolling Stones’ catalog". In 2003, "Sticky Fingers" was listed as No. 63 on Rolling Stone magazine's list of The 500 Greatest Albums of All Time.

 

Track listing

All songs written by Mick Jagger and keith Richards, except where noted.

Side one
No. Title Writer(s) Length
1. "Brown Sugar"   3:48
2. "Sway"   3:50
3. "Wild Horses"   5:42
4. "Can't You Hear Me Knocking"   7:14
5. "You Gotta Move" Fred McDowell, Gary davis 2:32
Side two
No. Title Writer(s) Length
6. "Bitch"   3:38
7. "I Got the Blues"   3:54
8. "Sister Morphine" Jagger, Richards, Marianne Faithfull 5:31
9. "Dead Flowers"   4:03
10. "Moonlight Mile"   5:56

 

 

 

The Rolling Stones - Sticky Fingers

UK Rolling Stones COC 59100 stereo (1971).

Album produced by Jimmy Miller.

The vinyl record attains a strong excellent grading, suggesting few plays.

Audio quality is very clear and strong throughout.

Both record centre labels are free from tears, stains or stickers.

The album cover is in excellent condition, displaying only minor signs of wear.

The original cotton briefs sub-cover is absent.

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