Slaughter's Big Rip-Off |
Theatrical release poster
|
Directed by |
Gordon Douglas |
Produced by |
Monroe Sachson |
Written by |
Charles Eric Johnson |
Starring |
Jim Brown
Ed McMahon
Don Stroud
Brock Peters
Gloria Hendry
Dick Anthony |
Music by |
James Brown
Fred Wesley |
Cinematography |
Charles F. Wheeler |
Edited by |
Kenneth G. Crane
Christopher Holmes |
Production
company
|
American International Pictures
|
Distributed by |
American International Pictures |
Release date
|
|
Running time
|
94 minutes |
Country |
United States |
Language |
English |
Box office |
$1 million (US/ Canada rentals) |
Slaughter's Big Rip-Off is a 1973 Blaxploitation film directed by Gordon Douglas and written by Charles Eric Johnson. The film stars Jim Brown, Ed McMahon, Don Stroud, Brock Peters, Gloria Hendry and Dick Anthony. The film was released on August 31, 1973, by American International Pictures. It is the sequel to the 1972 film Slaughter.
Plot
Slaughter (Jim Brown), a fierce Vietnam veteran and ex-Green Beret, had avenged the death of his parents by killing the gangster who was responsible for their death in Mexico. He is now relocated in Los Angeles, California, a place that Slaughter sought to escape the past events and begin his attempt to have a tranquil life.
Slaughter goes to a friend's house for a lavish outdoor picnic and celebration. Meanwhile, a new crime boss, Duncan (Ed McMahon), is now after Slaughter, for having killed ex Mafia boss Dominic Hoffo earlier. An old World War I biplane is seen flying by the outdoor celebration and then opening fire on the guests at the picnic. It results in the graphic death of Slaughter's friend, which reignites the old spark of fury and rage that Slaughter had when told of the death of his parents.
Duncan's first assassination attempt in essence is a failure and only succeeds in waking a sleeping beast. Duncan hires a new hit-man named Kirk (Don Stroud) to bring Slaughter to his demise. Rather than being in protective custody under the supervision of Duncan's crooked cops, Slaughter remains on the streets.
Slaughter's new friend is a police official, Det. Reynolds, who warns that his life is in peril. Slaughter also has a girlfriend, Marcia (Gloria Hendry), who is also being targeted by the mob, under Duncan's orders, to further provoke Slaughter.
Slaughter makes an agreement with Reynolds to obtain confidential documents of the Mafia's operations. He coaxes a drug-addicted pimp to assist him in breaking into Duncan's safe house and successfully escape with the documents. After gun fights, Slaughter and his pimp sidekick kill several of Duncan's guards and associates. In response, Duncan sends Kirk to kidnap Slaughter's girlfriend, a fatal mistake on Duncan's part.
Cast
- Jim Brown as Slaughter
- Ed McMahan as Duncan
- Don Stroud as Kirk
- Brock Peters as Reynolds
- Gloria Hendry as Marcia
- Dick Anthony Williams as Joe Creole
- Art Metrano as Mario Burtoli
- Judith Brown as Norja
- Jacquliene Giroux as Mrs. Duncan
- Eddie Lo Russo as Arnie
- Russ McGinn as Harvey Parker
- Hoke Howell as Jimmy Parker
- Chuck Hicks as Lyle Parker
- Russ marin as Crowder
- Nick Benedict as Gains
Music
The album for Slaughter's Big Rip-Off and the songs associated with it were composed by James Brown.
- "Slaughter's Theme Song" (4:01)
- "Tryin' to Get Over" (2:28)
- "Transmorgrapfication" (2:00)
- "Happy for the Poor" (2:45)
- "Brother Rapp" (3:04)
- "Big Strong" (3:19)
- "Really, Really, Really" (1:51)
- "Sexy, Sexy, Sexy" (3:11)
- "To My Brother" (2:12)
- "How Long Can I Keep Up" (5:31)
- "People Get Up and Drive Your Funky Soul" (3:43)
- "King Slaughter" (2:46)
- "Straight Ahead" (2:45)
James Brown - Slaughter's Big Rip-Off (Original Soundtrack)
U.S. Polydor PD 6015 stereo (1973).
Album produced by James Brown.
This record for sale is a modern repress of the original first released in 1973.
The vinyl record attains a Mint- grading, suggesting very few plays.
Audio quality is very clear and strong throughout.
Both record centre labels are clean, unmarked, and free from tears, stains or stickers.
The album's hinged cover is in excellent condition, displaying only minimal signs of wear.
The album cover has a strong, undamaged hinge and spine, displaying very clear, printed script.