George Martin - Live and Let Die (Original Motion Picture Soundtrack)


George Martin - Live and Let Die (Original Motion Picture Soundtrack)

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Live and Let Die
007LALDsoundtrack73.jpg
Soundtrack album by George Martin
Released 2 July 1973
Recorded 1972-73
Length 31:14
Label United Artists
Producer George Martin
George Martin chronology
London by George
(1967)
Live and Let Die
(1973)
Beatles to Bond and Bach
(1978)
 
James Bons soundtrack chronology
Diamonds Are Forever
(1971)
Live and Let Die
(1973)
The Man With the Golden Gun
(1974)
Singles from Live and Let Die
  1. "Live and Let Die"
    Released: 1 June 1973

 

  "Live and Let Die" is the soundtrack to the eighth Jame Bond film of the same name. It was scored by George Martin. The title song was written by Paul and Linda McCartney and performed by Paul McCartney and Wings. It was the first Bond film score not to involve John Barry.

 

History

The music for most of the Bond films through Diamonds Are Forever had been scored by John Barry. Due to his working on a musical, and having fallen out with Bond producer Harry Saltzman over the last title song, Barry was unavailable to score Live and Let Die.

Producers Saltzman and Albert Broccoli approached Paul McCartney to write the theme song and McCartney in turn asked Martin to record it for him. Impressed with the orchestration for the finished track, Saltzman and Broccoli considered Martin for the film’s score.

Martin worked closely with director Guy Hamolton who described what the music should convey in each scene as it unfolds. Only very minor changes to the finished score were asked for. Martin felt that this was as much for Hamilton's accurate briefing.

The orchestra was conducted by Martin and recorded at AIR studios.

 

Title song

Having recorded McCartney's performance, Martin was taken aback when Saltzman asked him who he thought should sing the film's title song, suggesting to him Thelma Houston. Saltzman had envisaged a female soul singer. Martin said that it should be McCartney. He nonetheless scored a soul arrangement to accompany singer B.J. Arnau for a nightclub sequence in the film.

Live and Let Die was the first time that a rock music arrangement was used to open a Bond film. It was also the first time that McCartney and Martin had worked together since Abbey Road in 1969. McCartney had been considered as title song composer for the previous Bond film, Diamonds Are Forever. The song was nominated for an Academy Award but lost to "The Way We Were".

The ″Live and Let Die" single was a major success in the U.S. and U.K. and continues to be a highlight of McCartney's live shows. Chrissie Hynde covered the song for Bond composer David Arnold's compilation album "Shaken and Stirred: The David Arnold James Bond Project".

 

Track listing

The original soundtrack LP ended with track 14, James Bond theme, and this version was later released on CD in 1988. The digitally remastered CD re-release, 2003, as well as adding eight additional tracks also extended several of the original ones, such as Bond Meets Solitaire. Except as noted, all tracks composed by George Martin.

  1. "Live and Let Die (Main Title) (Paul and Linda McCartney)" – Paul McCartney & Wimgs (3.10)
  2. "Just a Closer Walk With Thee (Trad. Arr. Milton Batiste) /New Second Line (Milton Batiste)" – Harold A. "Duke" Dejan & The Olympia Brass Band (2.13)
  3. "Bond Meets Solitaire" (2.15)
  4. "Whisper Who Dares" (1.42)
  5. "Snakes Alive" (2.24)
  6. "Baron Samedi's Dance of Death" (1.15)
  7. "San Monique" (1.57)
  8. "Fillet of Soul – New Orleans/Live and Let Die/Fillet of Soul – Harlem" – B.J. Arnau (1.07/1.07)
  9. "Bond Drops In" (3.28)
  10. "If He Finds It, Kill Him" (1.21
  11. "Trespassers Will Be Eaten" (2.45)
  12. "Solitaire Gets Her Cards" (1.52)
  13. "Sacrifice" (2.30)
  14. "James Bond Theme" (Monty Norman) (1.28)

 

 

 

Live and Let Die - Original Motion Picture Soundtrack

UK United Artists UAS 29475 stereo (1973).

Album produced by George Martin.

The vinyl record attains a strong excellent grading suggesting few plays.

Audio quality is very clear and strong throughout.

Both record centre labels are clean and unmarked.

The album's laminated cover is in excellent condition, displaying only minimal signs of wear.

The album cover has a strong spine, displaying very clear printed script.

The promotional 24 page colour/black & white film brochure is in excellent condition.

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