Oscar Brown Jr. - Brother Where Are You

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Oscar Brown Jr.
Oscar brown jr 1965.JPG
Brown performing on the CBS public affairs television show "Look Up and Live", 1965.
Born October 10, 1926
Chicago, Illinois, U.S.
Died May 29, 2005 (aged 78)
Chicago, Illinois
  • Singer
  • songwriter
  • actor
  • playwright
  • poet
  • activist
Years active 1960–2005
Children including Maggie Brown
  • Oscar Brown Sr.
Musical career
Genres Jazz
Instruments Vocals
  • Columbia
  • Fontana
  • RCA Victor
  • Atlantic


  Oscar Brown Jr. (October 10, 1926 – May 29, 2005) was an American singer, songwriter, playwright, poet, civil rights activist, and actor. Aside from his career, Brown ran unsuccessfully for office in both the Illinois state legislature and the U.S. Congress. Brown wrote many songs (125 have been published), 12 albums, and more than a dozen musical plays.

Early life and education

Brown was born in Chicago, Illinois to Oscar Brown Sr. and Helen (née Clark). Brown's father was an attorney and real estate broker. Brown's first acting debut was on the radio show Secret City at the age of 15. For high school, Brown attended Emglewood Prep Academy (then known as Englewood High School). After high school, Brown attended the University of Wisconsin-Madison, and Lincoln University but later dropped out. He also served a stint in the U.S. Army.




Brown's father intended for him to follow in his footsteps and become a practicing lawyer. While he did help his father at his practice, he ventured off into other careers such as advertising and served in the army in the mid-1950s. He also wrote songs.

When Mahalia Jackson recorded one of his songs, "Brown Baby," he began to focus on a career as a songwriter. His first major contribution to a recorded work was a collaboration with Max Roach, "We Insist!", which was an early record celebrating the black freedom movement in the United States. Columbia Records signed Brown as a solo artist, who was by now in his mid-thirties and married with five children.

In 1960, Brown released his first LP, Sin & Soul, recorded from June 20 to October 23, 1960. Printed on the cover of the album were personal reviews by well-known celebrities and jazz musicians of the time, including Steve Allen, Lorraine Hansberry, Nat Hentoff, Dorothy Killgallen, Maz Roach and Nina Simone (Simone would later cover his "Work Song" and Steve Allen would later hire him for his Jazz Scene USA television program). The album is regarded as a "true classic" for openly tackling the experiences of African Americans with songs such as "Bid 'Em In" and "Afro Blue". Sin & Soul is also significant because Brown took several popular jazz instrumentals and combined them with self-penned lyrics on songs such as "Dat Dere", "Afro Blue" and "Work Song". This began a trend that would continue with several other major jazz vocalists. Several of the tracks from Sin & Soul were embraced by the 1960s Mod movement, such as "Humdrum Blues", "Work Song" and "Watermelon Man". "Sin & Soul" was followed by "Between Heaven and Hell" (1962). The success of "Sin & Soul" meant that much more money was spent on production and Quincy Jones and Ralph Burns were bought in to handle the arrangements.

However, Brown was soon to fall down the pecking order at Columbia following a rearrangement of the management at the company. His third album was notable for the lack of any self-composed songs, and Columbia was having a hard time packaging him as an artist. They were unsure whether Brown was suited to middle-of-the-road/easy listening nightclubs or alternatively should be presented as a jazz artist. Brown was given much more creative freedom for his fourth album, Tells It Like It Is (1963), and he was back to his creative best, composing songs such as "The Snake", which became a Northern Soul classic when it was covered by Al Wilson, and has featured on several adverts. Despite this return to form, and having been told by the new head of Columbia, that he was high on the company's priorities, his contract at Columbia was not renewed.


Stage and television

He attempted to mount a major musical stage show in New York City called Kicks & Co. in 1961. Host Dave Garroway turned over an entire broadcast of the Today show to Brown to perform numbers from the show and try to raise the necessary funds to launch it on the stage. Kicks & Co. is set on an all-African-American college campus in the American South during the early days of attempted desegregation. The character Mr. Kicks is an emissary of Satan, sent to try to derail these efforts in which the play's protagonist, Ernest Black, has become involved. This was the first of several theatrical endeavors by Brown, and like all of them, the public was not won over sufficiently to allow financial success, despite acclaim by some critics. His longest-running relative success, thanks to the participation of Muhammad Ali, was Big-Time Buck White. Another notable musical show, Joy, saw two incarnations (in 1966 and 1969) and again addressed social issues. Appearing with Brown were his wife, Jean Pace, and the Brazilian singer/accordionist Sivuca. RCA released the original cast recording around 1970; it is long out of print. In 1962, he worked on the Westinghouse syndicated television program Jazz Scene USA, produced by Steve Allen. Brown was the show's presenter and it featured a new musical guest each week.


Personal life

Brown was married to Jean Pace, the older sister of actress Judy Pace. He was the father of seven children. His son, Oscar "BoBo" Brown III was a bassist and musical arranger who died in a car crash in August 1996. His daughter Maggie is a singer. A Chicago musical review referred to the trio as "The First Family of Swing." They were joined by the youngest daughter, Africa Pace Brown, in an effort to popularize his music. Brown's first son, Napoleon "David" Brown, inspired the song "Brown Baby" and helped his father promotional appearances and business. The remaining family members consist of Donna Brown Kane, Joan Olivia Brown, and Iantha Brown Casen, who participated in some of her father's production. On May 29, 2005, Oscar Brown died in his hometown of Chicago from osteomyelitis at the age of 79


Humanitarian work

Brown founded the Oscar Brown Jr. H.I.P. Legacy Foundation to continue his humanitarian work. He participated in an anti-apartheid protest rally in Compton College in 1976.

Brown wrote the vocalese lyrics to the Duke Pearson melody "Jeannine" as sung by Eddie Jefferson on the album "The Main Main" recorded in October 1974 and covered by The Manhatten Transfer on their 1984 album "Bop Doo-Wop". "Somebody Buy Me a Drink", a track from "Sin & Soul", was covered by David Johansen and the Harry Smiths on their eponymous first album. "Hymn to Friday" from Between Heaven and Hell is played on jazz radio stations such as WDCB. Pianist Wynton Kelly recorded "Strongman" with his trio in the late 1950s. Nina Simone popularized Brown's lyrics to "Work Song", "Afro Blue", and "Bid 'Em In." Brown's lyrics to "Afro Blue" have been performed by Dianne Reeves, Dee Dee Bridgewater, and Lizz Wright. Vocalist Karrin Allyson cited Brown as an inspiration and has performed his compositions on several of her albums. Brown was scheduled to contribute lyrics to Allyson's 2006 album "Footprints" before his death; instead she recorded his songs "A Tree and Me" and "But I Was Cool" as a tribute. Brown was the subject of a tribute album by cabaret singer Linda Kosut.


Published works


  • What It Is: Poems and Opinions of Oscar Brown Jr. This book includes lyrics to some of Brown's better-known songs, as well as lyrics to songs he never got to record.



  • Sin & Soul (Columbia, 1960)
  • In a New Mood (Columbia, 1962)
  • Between Heaven and Hell (Columbia, 1962)
  • Tells It Like It Is! (Columbia, 1963)
  • Mr Oscar brown Jr. Goes to Washington (Fontana, 1965)
  • Finding a New Friend with Luiz Henrique (Fontana, 1966)
  • Joy with Jean Pace, Sivuca (RCA Victor, 1970)
  • Movin' On (Atlantic, 1972)
  • Fresh (Atlantic, 1974)
  • Brother Where Are You (Atlantic, 1974)
  • Live Every Minute (Minor Music, 1998)




Oscar Brown Jr. - Brother Where Are You

U.S. Atlantic SD 1649 stereo (1974) 1st U.S. press.

The vinyl record has remained in excellent condition.

Audio quality is very clear and strong throughout.

Both record centre labels are clean, unmarked, and free from tears, stains or stickers.

The album cover is in excellent condition, displaying only minor signs of wear.

The album cover's spine displays some signs of wear.

The original colour, company inner sleeve, is well presented.

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